“Coming out of Montreal, there was this self congratulatory, self-driven music culture that basically reinforced itself, so there was no need to look outside of it,” he says. He didn’t really “think of Canada coast to coast.” While many bands have a checkerboard strategy when it comes to expanding their music, in the ‘90s Sam Roberts was more concerned with getting into the “weekly Montreal music rag” because that was what he knew. That was the one thing that was drawing me out of Montreal.” The only other scene that had some effect was Halifax as it was the ‘90s and bands like Sloan, Super Friendz, that was the crew out there. “We weren’t really about being connected to any other music scene across the country. “Success was undefined for us for a long period of time,” Sam Roberts tells us. were a young band from Montreal with little awareness of music outside their own creative enclave. But this isn’t a band about to pull you to your knees in weeping self pity – no, friends, the Sam Roberts Band is going to use their unique brand of rock to set a nice hot bath for your wounds.īefore being the pied piper of Canadian music, Sam and co. If you’ve followed Sam Roberts since 2000’s Brother Down, then it’s no surprise that human condition is up for discussion. On Terraform, Sam Roberts contextualizes the term to involve the human condition, where the opportunity of reinvention and cleaning up your broken mess is there for the taking.
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“Terraforming” by definition is transforming a planet to make it viable for human living. Sam Roberts and his band are gearing up for a new tour in support of their sixth studio album, Terraform, which sees much of the songwriting surrounded around renewal.